Dear Reader,
We especially wish to begin by thanking you, the reader. You give everything done by us purpose and you truly appreciate the art we publish. Phases, the concept for the 2025 magazine, became especially prevalent for us as we went through this year. Towards the beginning of March, we were informed Aerie will not be offered next year. It will still be on the Program of Studies, in case enough people scheduled the class.
Phases, for us, became the growth and change that we experienced together as a staff. Our ever-evolving concept felt extremely representative of Aerie itself. The concept allowed us to explore the existing magazines from previous years and share some of Aerie’s phases. We hope the concept also gives you the chance to express yourself too.
We want to give a humongous thank you to our staff. The staff made everything possible and brightened our faces with smiles everytime we walked in the door. Some days were harder than others, but we did it. We worked hard and did it together. Our love and appreciation for each of you measures the Titanic in size. We will miss you all immensely. You all can achieve such great things, and there is no doubt that you will reach your goals.
An extreme, grandiose, and luxurious thank you needs to be extended to our advisor, Mrs. Bruzzese, who has supported us in every way she possibly could. We cannot express how grateful we are for her devotion to us and this magazine. Thank you for sharing with us the same love you gave to Aerie. We will carry that for life.
Please enjoy Aerie's final phase. We hope you love it as much as we have.
Thank you from the bottom of our hearts,
Olivia Cornish and Kingston Kendrick
Seeing the website come together has been a great experience. I loved working with Savannah to put this together. Aerie is far from the traditional class, so being able to come here and work on this website has given me a break from reality where I have been able to just work on something I enjoy. The experience in the Aerie classroom has been so fun and putting this website together has been something so different. I am very grateful for my time in the class Aerie and will remember these moments forever.
-Larkin Daley
I have enjoyed doing the website this year so much with the help of Larkin. The website and the class have been so much fun and it's a good break from the typical classes here at Fairmont to come in and do something I enjoy. Learning to work on a website and doing this has been great for me. Makes me feel super smart . Even though Aerie won't be here next year, I hope the next classes of students find interest in this class and carry it on!
-Savannah Crain
As we close out Aerie 2025, I want to take a moment to thank each and every one of you for your support. This was my first year in Aerie, and let me say, I wish I had joined sooner. Being in a different environment than your typical classes has allowed me to truly be myself without fear of judgment. It’s so rare to find a group that lifts each other up the way we do. The encouragement and hard work from everyone here have made this class feel like family. I've never had a bad day in this class, and somehow, we always end up laughing. Whether it was the inside jokes, deep conversations, or simply just working quietly together. Aerie has become more than just a class to me, it’s become a place where I’ve grown, laughed, and felt seen. I also want to give a huge thank you to all of our amazing supporters, families, friends, teachers, community, and everyone who believed in us. Without you, there wouldn’t be an Aerie! So thank YOU, reading this from behind the screen. We are so beyond grateful and lucky to have such an incredible group of supporters by our side!
I’ll carry the memories, the growth, and the friendships I’ve made in Aerie. Thank you all for making Aerie not just a part of my schedule, but a highlight of my highschool experience!
-Sukey Dong
Aerie has been my absolute favorite class of all time, and I feel very vainglorious to be affiliated with this class. The atmosphere of Aerie is perfect, everyone is welcoming, respectful, and we are all like a big ole' family. I have never been in a class where everyone can collaborate as a whole unit and get more done than anything else. I have taken this class two years in a row now, (lowkey a seasoned professional) and have never been more enthralled by a class before. I remember first walking into Aerie freshman year and knowing, Aerie is THAT class; that class where you can't wait to go into and see everyone, (feeling very ecstatic), that class where the time flies by so fast and you wish it could just last longer, that class where jokes are made and memories are embedded into your mind that last forever. There are some good things in Aerie that I will never forget, like when we first circled (I actually don’t remember that, but still it seems like a sentimental thing to add), or the ice cream party. Then there are the messy things when the computers will not work for the life of anybody. But overall this class has been absolutely stupendous and all of us unanimously would agree that this class is unprecedented, unparalleled, and cannot ever be surpassed by any other class.
-Jada Burton
Dear 25 Years of Aerie Staffs,
As another year draws to a close, so does another volume of our beloved Aerie. This year, we faced an unexpected challenge: a lack of working computers. This hurdle forced us to pivot to an online-only format for the 2025 issue, and you made the generous decision to offer the magazine free to all. It's been challenging, to say the least, but you have risen to overcome it with incredible adaptability and creativity.
This issue also marks a personal milestone for me: my 25th issue and my final year as Aerie advisor. When I think back to all the extra after-school time, the bursts of laughter, the occasional (okay, maybe frequent) frantic scrambles to meet deadlines, and, most importantly, the hard work and passion you've poured into Aerie, I am filled with an overwhelming sense of pride.
Putting together a magazine, even a digital one, is no small feat. It requires dedication, collaboration, and a willingness to learn and grow. Each of you has brought your own unique skills and perspectives to the table, and it's been a joy to watch so many of you develop into writers, contributors, and all-around decent humans. (25 issues x 15 students avg = 375 Aerie staff members)
This year’s staff, led by our dedicated editors, has truly excelled. Olivias's vision and leadership have been instrumental in navigating the challenges of this year and ensuring the quality of Aerie: Phases. Kingston has skillfully managed many moving parts of production, and Larkin, Kayden and Rustic have brought their passion and expertise to their respective sections. The entire staff has demonstrated remarkable positivity, resilience, and a true commitment to the magazine's success.
Thank you for allowing me to be a part of it all. It has been an honor and a privilege to work alongside such talented and dedicated students. I am incredibly proud of everything you have accomplished. If this is the end of Aerie, I feel we have done all we could to give 25 years of Fairmont students a creative voice.
With heartfelt gratitude,
Mrs. Bruzzese
Aerie has been my absolute favorite class of all time, and I feel very vainglorious to be affiliated with this class. The atmosphere of Aerie is perfect, everyone is welcoming, respectful, and we are all like a big ole' family. I have never been in a class where everyone can collaborate as a whole unit and get more done than anything else. I have taken this class two years in a row now, (lowkey a seasoned professional) and have never been more enthralled by a class before. I remember first walking into Aerie freshman year and knowing, Aerie is THAT class; that class where you can't wait to go into and see everyone, (feeling very ecstatic), that class where the time flies by so fast and you wish it could just last longer, that class where jokes are made and memories are embedded into your mind that last forever. There are some good things in Aerie that I will never forget, like when we first circled (I actually don’t remember that, but still it seems like a sentimental thing to add), or the ice cream party. Then there are the messy things when the computers will not work for the life of anybody. But overall this class has been absolutely stupendous and all of us unanimously would agree that this class is unprecedented, unparalleled, and cannot ever be surpassed by any other class.
-Jada Burton
This may be my first and final year of Aerie, but this experience is not one that’s easily forgotten. I’ve submitted my poetry and artwork to the magazine in the past, and this time around I wanted to be part of the process. Through time spent in this class, I’ve made valuable connections and looked at breathtaking works of art and literature. For the entire semester, I don’t remember a bad day in Aerie; this class is filled with good spirit and even greater, hard-working people. I was disheartened by Aerie being discontinued, at least for next year, but I hope this class continues when it's offered again in the 2026-27 school year because this is truly an experience I believe anyone would benefit from.
-Alyssa Smith
Ekphrasis to Aerie
There is a lofty tone to my singing—
Adulterated by frequent hollering.
My foot bounces up and down on a tiled floor;
It rings out faint: “Tip, Tap, Ticks,”
Across the room,
I hear a few calls, of phone and voice,
They are ignored to focus on the clicks of a membrane keyboard.
My feet bounce back to front on a carpeted floor,
A shin catches on metal desk-chair leg,
And I go tumbling to the lofty tone of my hollering.
Whiteboards—
And Sticky Notes—
The key components of the steam engine,
The real conductor is the frequent hollering.
Fifteen or so pairs of feet, the distance of the room;
Fifteen or so pairs of feet, the amount running the distance of the room.
The din of their tapping side to side on concrete,
To the tone of frequent hollering.
The final page, assembled to lofty hollering and the running of countless feet,
Closes out the scene.
-McKinnon Rupper
Mr. Jared Parker
Digital Design Students
Mr. Chris Sherman
Mr. Darrell Bickley
Mrs. Emily Bruzzese
Ms. Tricia Taylor
Mrs. Laura Hu
River Brown-Rhodus - Beautiful Life
River Brown-Rhodus - Light Into Darkness
Jada Burton - Sun In The Sky
Chloe Williams - Untitled
Micheal King - Grief
Ruben Baker - Selune Devout
Ruben Baker - Gold Lining
Nangsenchyoi Maran - Moon Big
Hallie Clark - Untitled
Ella Shay - Leading Lines
Lucy Pruitt - Clock
Jada Burton - Membean Rap
Keb Stevens - Im Just Keb
Savannah Crain - Red Sunset
Georgia Sosebee - This Is More Than A Thank You
Izabella Smith - What Have I Done
Martin Casas - Senora del Rosaria
McKinnon Rupper - Memories Theatre and Wars Orchestra
Martin Casas Ayala - Monserrate
Adryan Turner - Lost and Found
Rustic Bagwell - 4AM
Rustic Bagwell - Now
Samantha Behr - Untitled
Sean Patel - Don River
Sean Patel - Life
Rhea Patel - Your Future is in Your Hands
Miss Mutoni - Echoes of Youth
Alyssa Smith - A Gentle Ending
Alyssa Smith - Spin Me Like Your Records
Micheal Lawrence - Storm
Alyssa Smith - Youd Think Shes An Angel
Sarah (Salem) Nickels - My Boy of Crystals
Alyssa Smith - Masterpiece
Aj Gonzalez - The Earth Will Sing
Olivia Cornish- Jane Doe
Alyssa Smith - Midnight Never Came
Alyssa Smith - I Missed the Train
Anonymous - Crimson Frost
Hayden Kendrick - Carrion
Olivia Cornish - My Art
Caitlin Paxson - Tropical Twirl
Madeline Maurice - The Hula Dancer
Rustic Bagwell - 4Am
Jes Adams - The Last Column
Lawnviolets - A Sum of Parts
Alyssa Robinson - Self Discovery
Micheal Lawrence - Hope
Alyssa Smith - Saudade
Jason Avitt - Whispers of the Wind
Aj Gonzalez - A Mother´s Embrace
Anonymous - What Is Love
Alyssa Smith - Cut The Cord
Sabrina Sweney - Untitled
Cheyenne Grubb - A Sign of Change
Alyssa Smith - Fragments
Finn Kelly - St. Chroma
Carly Layman - Faded Petals
Ever Wilkins - Distant Lands
Bellamie Burns - Evelynn
Martin Casas Ayala - Cow Plate
Bellamie Burns - Hades
Margot Mallory - Untitled
Jes Adams - Pietà
Ruben Baker - Awidelin´ Tsitda (Mother Earth)
Lucile Alig - Precious
Lucie Alig - Best Friends
Lucie Alig - Sweet boy
Lucile Alig - True Love
Martin Casas Ayala - Sun Rays
Miles Combs - View Through a Wheel
Miles Combs - River Valley
Miguel Solano Melina - Nature and Farm Crops
Anna Marie Welsh - How It Felt Once You Were Gone
Martin Casas Ayala - Negative Space
Larkin Daley - Rocky Mountains National Park
Bri Graham - Untitled
Alice Hilton - Untitled
Muhammad Almosawi - The Night Skies
Abby Doyle - Walking Through a Painting
Abby Doyle - Stairway to Heaven
Ella-Grace Dennison - Untitled
Kingston Titus - Unitled
Kingston Titus - Untitled
Noah-Alice - Eternal Sunshine
Caleb Black - Ghana
McKinnon Rupper - City of Dreams
Muhammad Almosawi - Untitled
Hayden Kendrick - Pine Box
Charlie Hamilton - Coyote Teeth
Dawson France- Heavenly Sky
Angeline Gonzalez - Hobbitenango Rays
Madeline Maurice - Untitled
Dawson France - Morning Sun
Olivia Rose Thompson - The Girl Through the Window
Anthony Benitez - Untitled
Lydia Howard - Untitled
Ruby Sanchez Figueroa - Untitled
Lucie Alig - Snow Dogs
Lydia Howard - Song Book
Lyra Johnson - Monster
Izabella Smith - Heavenly View
Izabella Smith - Back in the old days
Beautiful Life
River Brown-Rhodus
Digital
Light into Darkness
River Brown-Rhodus
Digital
Sun In the Sky
Jada Burton
Photography
Can You Spare Some Change?
Chloe Williams
Artwork
Grief
Michael King
Lies
The people around me were louder than my thoughts.
I couldn’t escape the lies you made.
You manipulated people around you so well I started to believe these falsified statements.
I was brimming with one emotion
Rage
I had to do it,
you deceived the world with an image of me;
for the dishonest nature of such actions you had to be removed.
Yet your web of lies still lingered.
But no longer will I have to suffer in an Earth you made.
That’s when it got worse.
I found out I’m still
Cursed
I still see your final image clearly.
Standing there out of reach with tattered clothes and a snapped neck.
Please leave me alone.
If you didn’t say those things this wouldn’t have happened.
Leave me alone,
Please.
That’s when the world became
Misery
I can’t leave my room.
If I do you’ll follow me.
The nights became sleepless.
Unable to do anything.
I can’t eat.
When I do all I see is your rotting flesh.
That’s when I realized the
Truth
The reason it was so easy to believe your lies,
was because it was factual.
I couldn’t believe that I was that horrid,
that I was a monster.
I was so far in denial that I couldn’t see it.
But what I did to you that day solidified it.
I was the person you painted me as.
Gold Lining
Ruben Baker
Digital
Selune Devout
Ruben Baker
Digital
Moon Big
Nangsenchyoi Maran
Digital
Untitled
Hallie Clark
Digital
Leading Lines
Ella Shay
Photography
Clock
Lucy Pruitt
Digital
Membean Rap Revamped
Jada Burton
Song
I'm Just Keb
Keb Stevens
Song
Background Singers: Madeline Maurice, Kiera Kuschnerus, Jacob Pesch, Savannah Steinke, CC Connolly
Singer: Keb Stevens
Audio Mixer: John Gentry
Producer: Laura Hutchens & Keb Stevens
Red Sunset
Savannah Crain
Photography
This Is More Than a Thank You
Georgia Sosebee
This is more than a thank you
To my mother,
who has shown me nothing but love, even when she has none left to give.
To my father,
who has been present during every big moment and momentous occasion.
To my sister,
who has never once failed to make me laugh, even when I just want to cry.
To my brother,
who might not be blood but still supports me like no one else.
To my aunt,
who has inspired me to speak up fiercely for what I believe in.
To my grandmothers,
who have together taught me every recipe my confidants crave endlessly.
To my best friend,
who has continued to love me even after every bad decision I have ever made.
To my lover,
who has found perfection in all my imperfections.
To my cats,
who fail to understand personal space, but do understand that’s exactly what I want.
To every person who has walked across the path that I call life,
who have helped guide every choice that I have made,
who have nurtured me into the person I am today,
who have shown me nothing but the best,
thank you for everything.
Everything and more.
Martin Casas Ayala
Photography
What have I done
Izabella Smith
Photography
Memories’ Theatre and War’s Orchestra
McKinnon Rupper
Dust clings to walnut cabinets like a trillion little mites army crawling around on the skin—charging around the wooden battlefield, until a rag sweeps them away in a great tsunami. A man with slicked back grey hair, wearing a fitted black suit with a velvet pocket square and a white cloth is the culprit. He shakes the rag, originally a slightly embroidered plush white hand towel, now mostly ash grey.
The color stained it like water used to wash away watercolors.
He tosses the rag into the trash.
Beside him, he starts a record player, the vinyl spinning lackadaisical. A slow tune starts, discordant with the man’s movement.
“Click, Click, Click,” his heels tap up and down in military step, a second slower than his imaginary cadence. The melody of old days echoes in his ear drums, a call and response with a drill sergeant long dead, he cannot grasp another song. He marches past mementos and reminders, different solely in their connotation that even was eventually forgotten, only the objects remain, pulling on cut strings.
His movements are those of a puppet, one that dances to the strings of memory, which nudge him towards answering the door when a doorbell sounds, to eat three grimy meals a day, to march on weakened knees, instead of stroll. However, there is no person piloting the strings, no animal or instinct.
“CRACK”
The strings twist harshly.
He dives, the well tailored suit crumpling and wrinkling as his stomach contorts inside and out, reaching for perceived cover. The movement is entirely unnatural to the formal man now crouching on the ground behind a couch, but alight in his eyes is a sudden trepidation, pupils glazed over.
“Who’s there!” He barks.
Peaking out above the fabric backing, his dilated eyes scan his own living room, a room over notes of soft sonatas glide to his ears, pairs of instruments slow dancing across the air, but they ignore his ears. His knees protest as he rises, both hands straining as veins pop out, hoisting himself like a beached whale into a standing position. The first few steps he takes are backing away exploratorily, head flicking around the room.
He inevitably discovers nothing, and he sags as his simulacrum of terror-filled lucidity fades back to the cool embrace of fog and dusk’s haze. He shambles to the door, no exigence to his movement, just limbs pulled along like mutts on a leash. The man pulls himself through rooms of his house, lined with hardwood floors and unswept white tiles. Some rooms are clean and filled with walls of trophies. Others are covered in thick strata of dust and ash—his eyes barely even register those, eyes flickering from the floor to the ceiling and back again. There is momentum to his motion, but no energy; he has started and with no fiction will not slow, but the fuel is dead, silenced.
Part of his brain grasps, searching quietly for where he is, how he is, why he is; it locates a thousand memories, and cannot pick out which one has any substance. Some inspire terror, a jolting kind of fake clarity which is insidious and lies, it simply juxtaposes itself into the world from beyond the grave. Others are too boring to remember, yet the brain finds them anyway, hugs them and cries for them. A few coherent ones break out from beyond the curtain, they whisper of languishing around a house too big to care for, of propriety that serves no one, of habits beyond memory, the important ones forgotten and the useless ones ingrained in bone.
The other part of the brain lives in the present, and it too claws around, searching. The brain forgets, but the body knows, it hears a sound, the natural reaction it must take is to investigate.
It has already begun to, and lacks the energy to stop its inertia.
His pace quickens, no longer shambling, back to military step, he doesn’t know why, doesn’t care, it simply is.
Sunlight pours onto him, obscuring his vision like a dirty rag, the door remains open behind him bouncing around slightly from the energy transferred to it, as he steps outside his house. The man searches, unconsciously straightening his suit as he sees the neighbors watching. He doesn’t notice them, but his body does. A swing set stands monolithic in his backyard, the grass is brown in patches, lucious green in others, nature taking its own path.
With the sunlight, and the dust free air, lucidity trickles in, it rushes against a closed valve, and the might of many transfers to a few drops osmosising in. He stares around in wonder, momentum gone and strings of life lax, watching the birds go overhead. There is no one else in his backyard, he is alone. The neighbors turn back to their porches and windows, smoking cigars and watching TV. The man does the same, returning inside.
The sound that startled him flows out of his memory, pouring into the garbage disposal of his brain, and he marches back to rooms filled with the essence of his memories, collapsing onto a recliner.
And the first notes of the vinyl start again a sonata; violin sounds break the thin air, the tune slightly distorted by the playback, though the man does not notice, a different song plays in his head. A steady beat to a drum; a count of one, pause, two, pause, three, pause, four, pause, repeat, over and over again. His eyes stare unseeing into the ceiling fan hypnotically swirling, as memories twist and contort in the aged cauldron of his mind.
The beats in his head forge a harmony, a backbone to the soft melody’s finger light touch, upholding it, allowing it to rise higher.
“CRACK”
The record player stops abruptly, as it reaches a scratched out part of the vinyl.
He is jostled from his memories of times past, and rises to dust off another bookshelf, fishing the dirty rag from the trash, no different from any other container to him.
And acts out the same memory to the tune in his head.
Monserrate
Martin Casas Ayala
Photography
Rustic Bagwell
As The World Is
I don’t think you understand
Hungry teeth and hungry hands
Hungry eyes with pupils slit
Hungry mind, I just can’t quit
Hunger’s chosen
Hunter’s heart
Placate prey with
Placid start
Heady flavor
On my tongue
“My true savior”
Gone unsung
God is fear and gone is light
Clever killer in the night
You are nothing I am now
Yet I’m still of you somehow
My hair is yours
My voice your like
Your very pores
This very fight
You tried your best
To raise me well
Yet still I rot
Here in this hell
Starving is the strangest death
I starve with every shaking breath
I only beg you let me feed
The starving stops when others bleed
Burning Around Me,
Horror and hell
In the cracks of my palms.
Poor bleeding angels
Screaming their psalms.
Fire in my eyes
And their blood on my tongue.
Breathe in the brimstone
Coating my lungs.
Called me a child
And said I was too weak.
Look at them now.
Blessed are the meek.
I am a god
And they raised me a lamb.
Look at my face!
Know Who I Am.
I Realize
The world makes much more sense cut open
Flayed by shining scalpel and gloved hands
Lungs stutter and strain beneath my fingers
Like the silken wings of some trapped bird
The bright lights overhead don’t strobe, they flicker
And yet my party pounds on blissfully within
Beauty in the glistening of gore against my blade
Perfect practiced logic of blood pumping through veins
No God Can
I was raised on human tongue
And taught by human lies.
Stuffed into a human skin
That never fit me right.
I am a god, yet you insist
Try to define me by my flesh.
When I finally rip free from this shell
There will be nothing left.
I’ll tear through the weak muscles
that have only done me wrong.
And crush between my fingers
Lungs that never held my songs.
Glory in the crimson
That remains where I once stood.
Wonder in the rot
That ate through all that once was good.
Kill Me.
Throw me off a building
Bash my head into a spike
Choke me with your bare hands
Take me on a nighttime hike
Drown me in a river
Cram my organs in your mouth
Feed me only poison
Tie me bleeding to your couch
Cover me in leeches
Break my teeth out of my jaw
Feed me to wild lions
Shoot me like a rabid dog
Tear into the wretched flesh
that binds my skin to bone
Kill me in a hundred ways
Just don’t leave me alone
Samantha Behr
Drawing
Sean Patel
Drawing
Sean Patel
Drawing
Rhea Patel
Drawing
Echoes of Youth
A Gentle Ending
Alyssa Smith
In a soft forest,
I want to get lost
In this torrent of rain,
So heavy that even the densest of trees cannot shelter me,
And the water masks the tears
That I can’t will myself to shed.
I’d stare up with empty eyes
As the damp earth takes my body,
And flowers sprout from my ribcage
Right where my heart used to be.
And here, in new life,
I am eternal.
I wish I could dance, flowing seamlessly
As the music tip taps around the room.
Rhythm reflected in the movement of my body,
Bones become fluid, and cloth a mist encompassing them.
I will dance in solitude, the melody drowning out my missteps,
And I’ll try so carefully not to step on my own toes.
Maybe in my mind alone I can be that dancer on the stage,
Bathed in light and fog,
Forever lost in a world I lay so far from.
A
Single
Drop fell
From the sky
On the pounding
Sea that night.
Can
You see
Through the
Waves? Past the
Lightning?
What
You have
Done? There
Can be no escape
From this.
There–
Reflections
Across from you.
The pain that you caused–
Lawlessness.
Ruthlessness
That scarred the face
You used to caress. You monster, look
At what you’ve done. The world stopped spinning
To take a look at the great misery of your doing. The rain, the storms
Will no longer hide the memories of your deed, will no longer hide you behind a curtain of water
You'd Think She's An Angel
Alyssa Smith
Are there footprints smudged on your skin
From how many times they’ve stepped on your name?
Is your soul scarred with the memories
Of how they shamed what’s within?
Lift your heavy heart, lift your gaze and see
That there is hope; she may be beaten and bruised as you are,
But she’s what you’ve been looking for.
Her fire burns bright, a beacon to the broken, the lost.
There’s dirt under her nails and gravel in her hair,
But that passion still remains.
She’s been bested, torn by your anxiety and distress,
But still she fights, knowing you’ll need her
On your darkest days.
You may be stained and you may be wounded,
You may be led astray, but find your hope,
And she will guide you to a softer place.
His hair was a tumble of smokey quartz,
Shadowed curls in endless waltezs,
A storm caught in frozen stone,
Each twist a secret, his own alone.
Eyes of aquamarine and icy blue topaz,
A glacier's depth, a sea's soft jazz,
Moonstone flickers, shifting light,
A dance between daybreak and night.
is skin, sunlit like golden citrine,
With whispers of carnelian sheen,
Bronzed amber under a summer's fire,
A warmth that set hearts afire.
Fingernails sharp as onyx blades,
Polished jet where darkness cascades,
Hematite glimmers in mirrored hue,
A rebel's touch, bold and true.
His lips were rose quartz, kissed with pink,
Delicate hues where love might sink,
A glint of rhodochrosite's tender care,
A softness that lingers in the air.
And veins like veins of lapis lazuli,
Stories etched in celestial reply,
Every glance, a crystal's song,
A boy of gems to whom my heart belongs.
The boy's blood burns like bloodstone bright,
A molten red in the moon's faint light,
Each vein a river, dark and deep,
A hidden power that doesn't sleep.
He shimmers like a geoode split,
A hidden treasure, candlelit,
A constellation, Earth refined,
A masterpiece of stone enshrined.
Alyssa Smith
A canvas stretched by your own hands, splinters in your palms,
And skin worn dry by years of work.
Each stroke of color an experience that formed your very soul,
A tangible story of love and loss.
Never before have I stood before a piece
And felt my breath settle deeper in my lungs,
My bones soften with comfort.
My love, I’m an artist, all that I am is color and form,
But never have I seen a canvas like yours;
So far from completion, but all that’s been done
Is heavenly in my eyes.
Gently, I ask you let me join you,
Supplying my brushes, my paints, and my passion
To sketch out the rest of our lives.
For my hands are smothered in pigment and ink, just the same as yours,
And I’d be honored if you’d let me walk by your side,
Painting this ever-building paradise.
AJ Gonzalez
Hail, Tailtiu
For thou hast given enough
The fields are green, the birds singing
The cold is leaving, and the earth will sing
It sings for its mother
And I as the earth's brother, will sing along
The earth and I sing together
We sing a sad song in a joyous tone
For when we the children sing, we are never truly alone
Hail, Tailtiu
A mother’s love rekindled
As the hearth glows
Still keeping your children safe, as it begins to snow
Olivia Cornish
I feed him.
I feed him my soul.
I feed him my heart.
I feed him my body.
He ate.
He devoured my soul.
He ravaged my heart.
He left my body.
Just left to the four walls of this drawer.
Alone,
Nameless.
Eternity spent as a placeholder.
Doomed to my fate.
Objectified by man, for the last time.
Eroding away from this earth
Midnight Never Came
Alyssa Smith
I waited for the sun to set,
To make the hills its grave.
I waited for twilight
To dim what I can’t forget.
I sat upon the lie
That things will get better;
I sat upon a throne of exhaustion,
With nothing to show for how hard I try.
I stood patiently by
As the stars came to life,
I stood by that promise
That peace would follow the midnight sky,
But midnight never came.
Alyssa Smith
I sit at the station, the only sound a whisper of wind and a scuttle of leaves. My eyesight is hazy as I retreat from slumber. All is quiet; the passengers are gone, and not a single soul came to wake me. My bags lay beside me, filled to the brim with my dreams and prayers. They’re worn and battered from my trek through life. Everything is dim under the flickering lamp light, shadows dancing with uncertainty. I shudder from the chill of a cool October night, and I hear the blow of a whistle far, far away. A train of hope, of the future, and I fell asleep on this bench waiting for it.
A figure comes to sit beside me, silently, gracefully. I hadn’t heard her approach, her footsteps as soft as a leaf floating on water. I glance over, captivated by her translucent form and pale, heavenly glow. The woman beside me was as close to a ghost as I could imagine. She folds her hands in her lap and looks straight ahead, but notices me staring.
“I missed it too.”
Her voice is just more than a whisper. It dawns on me that missing the train means I’m bound to the same fate as this woman, to be a ghost, but I am not afraid. The wind continues to dance around the station in an ever more passionate performance. More wispy passengers of all ages drift forward, carrying all sorts of ambitions. They do not talk, but in their silence I can hear their hope. Somehow the night grows warmer, and my shivers recede. Here we are, all wanting to get on with the future, but we fell asleep waiting for it. Here, we will wait a hundred years more, and dream a hundred more dreams.
as each second ticks by,
i hear that ever so painful click.
sitting and staring,
every face shines back to mine;
i shudder and shift.
looking down,
everything wrong becomes seen.
this horrifying body
that seems to have trapped me.
a tear falls out the eye.
the water reflects back something beautiful,
despite its pain.
despite its ever so growing rot,
the reflection tells me of my true aim;
it will happen on some amazing day.
My Art
Olivia Cornish
Drawing
Caitlin Paxson
Drawing
Madeline Maurice
Photography
Rustic Bagwell
I step into the hallway.
The fan is on and I am not in my home.
The lights are vibrating at a different frequency,
The wrong frequency,
And something’s panting outside my window.
The sky is reddish
But when I turn to look at it
It’s back to normal,
And something twinkles in the darkness,
Everything is fine.
The shapes of my face in the mirror are wrong.
Something is following me,
And it is faster than I will ever be.
Things are flashing and sparkling in my room.
Tomorrow I will wake up and go to school.
The ticking starts up again.
Everything is fine.
Jes Adams
Photography
Lawnviolets
Digital
Alyssa Robinson
Hope
Michael Lawrence
Hope is not obsolete.
Its eyes do not stray or wander.
With every wall that falls–
It builds another one taller.
Hope grows no older, and yet stays no younger–
Its existence will last forever.
Alyssa Smith
You’ve been loved and you’ve been lost,
Frozen in old vintage memories,
So lifeless and gray.
Yet I’ve never felt more
When I look back on those days,
Wishing they weren’t so far behind me.
A strange agony,
Mourning someone who still lives and breathes,
Speaking at a grave that holds no corpse.
There is something that remains;
A hollow where you once were,
Now filled with this longing
To just talk to you again.
To hear your voice one more time,
Even if you’re angry,
Because I didn't want your last words to be
‘Back to the darkness I go’.
So I will mourn your memories,
Even if they’ve faded from your mind.
I’ll sit with this soft desire,
This love that still remains.
In the breath of dawn,
A whisper calls to me,
Through the trees and broken roads,
A song that only I can see.
It tells of days I’ve never known,
Of nights I’ll never hold,
A dream of warmth that fades away,
A love that’s soft and cold.
The wind it carries tales untold,
Of those who left, of those who stay,
And though I chase it far and wide,
The whispers drift, then slip away.
A Mother's Embrace
AJ Gonzalez
Hello mother, it is nice to see you
Your hands are cracked and scarred, nails gone with the dirt.
It has been too long, the harvest has been collected
The table has been cleared, but I will set the silverware
A feast will be held for you, even if you do not eat.
Your children will feed you, as thanks for your work
You have done your part, rest mother.
And let me sink into your embrace one last time.
What Is Love
Anonymous
Love
Love can be weak,
It can be strong.
It can end quick,
It can last long.
Love is for partners,
Family too.
It might be planned,
Or out of the blue.
Love is everywhere,
Theres some for everyone.
You might think its scary,
You might try to run.
Love is real,
That is always true.
One day love will come,
And find its way to you.
Cut The Cord
Alyssa Smith
You must get rather lonely,
Playing pretend as a god.
Cold and callous, a puppet master in your own right,
And no respect from the doll you manipulate.
Your lungs are stronger from the thin air atop your self-appointed title,
But your heart grows weaker from your distance.
You’re frustrated when my porcelain face remains static, unchanging,
Refusing to give any sliver of compassion to fill the void in you;
Why do you believe you deserve
What you’re incapable of feeling, of showing?
Soon the cords will snap, and you’ll be left to wonder why
I never followed your decree.
A cruel puppeteer, a miserable marionette,
And a poisonous entanglement,
Is all you and I ever were.
Sabrina Sweney
In a world where shadows softly play,
And whispers of the night hold sway,
A tapestry of dreams unfurls,
In the quiet corners of our worlds.
Stars above, like lanterns bright,
Guide us through the velvet night.
Each twinkle tells a tale untold,
Of mysteries and wonders bold.
Beneath the moon's gentle embrace,
We find a tranquil, sacred space.
Where hopes and fears entwine as one,
And dawn awaits, a rising sun.
In this symphony of light and dark,
We leave our mark, a fleeting spark.
For life is but a transient rhyme,
A precious gift, a dance through time.
Cheyenne Grubb
Photography
Alyssa Smith
Drawing
Finn Kelly
Drawing
Ever Wilkins
Drawing
Bellamie Burns
Drawing
Martin Casas Ayala
Photograph
Bellamie burns
Painting
Margot Mallory
Digital
Jes Adams
Photography
Ruben Baker
Painting
Lucie Alig
Painting
Lucie Alig
Painting
Lucie Alig
Painting
Lucie Alig
Drawing
Martin Casas Ayala
Miles Combs
Photography
Miles Combs
Photograph
Nature and Farm Crops
Miguel Solano Melina
Anna Marie Welsh
The morning dew drips from the trees
Birds sing melodies of misery
Carried along by the breeze
For the rest of history
Friends and family
Holding hands in shared sadness
No longer thinking happily
In this eternal madness
Rivers of tears stream down
Your mothers weeping face
Your father lowers his crown
And gives her some grace
Though your body is gone
Your spirit stays
They continue to mourn
Till the sky's turn grey
Martin Casas Ayala
Larkin Daley
Photography
Bri Graham
Drawing
Alice Hilton
Painting
Muhammad Almosawi
Photography
Abby Doyle
Photograph
Abby Doyle
Photograph
Ella-Grace Dennison
Drawing
Kingston Titus
Photo
Kingston Titus
Photo
Noah-Alice
Photography
Dignity, family-centered, respect,
Smiles on everyones faces,
Welcoming all that come,
Where futbol is life,
And banku and chicken
Is a daily meal,
Where the markets are bustling
And the sun is shining all the time.
Ghana,
A place of hospitality and warmth
That radiates to all that visit.
City of Dreams
McKinnon Rupper
Muhammad Almosawi
Photography
hayden kendrick
six feet away from the ground,
i scream and cry with all my might
yet nobody even listened.
my body does nothing,
no matter how well i convince it
i watch the same show over and over again.
i am still,
like an object.
so isolated
Charlie Hamilton
I walk through the dead grass of the farmer’s field
Silent as the blazing sun overheard
Hearty cries leave my jaws of old teeth
Mats of fur cling to my thin skin
Eyes filled with the clouds of age
Six chickens pace beyond the iron wiring
Uncontrolled hunger stirs in my weathered bones
My brothers slide beneath the faulty barbs as I wait in silence
The old man races to meet us
He raises his staff of steel and sends out crackling stones
We flee with no feathers clinging to our lips
No hunger soothed or exhaustion erased
One by one we filter
Through trees of rotting oak
Past drooling hounds and shouting men
Three of us remain when we reach the other side
One fell from a deer’s kick to the head
Another from the jaws of a flat iron mouth
The last from the crackle of a hunter
I stand mere feet from the old man
Our aged eyes meet in the silence of the virgin day
My legs are weak and brittle
His hands are rough and wrinkled
I embrace him as cold metal presses against my chest
I live on even after the sun sets
My fur gifted to a craftsman
My meat given to the guardians of the livestock
My bones are buried with a prayer
And my soul rests among the old dead grass
My brothers walk along the barren world beside me
Yowls echo out from their jaws
Feathers drift down from the clouds
Sticking to our noses like cotton
The never-ending hunger is gone
The exhaustion has been ridden from our bones
Three sets of eyes glisten under the sun
As three mangy mutts are swept away from their homes
Heavenly Sky
Dawson France
Angeline Gonzalez
Photography
Madeline Maurice
Pencil
Morning Sun
Dawson France
Olivia Rose Thompson
Anthony Benitez
Lydia Howard
Untitled
Ruby Sanchez Figueroa
Lucie Alig
Lydia Howard
Lyra Johnson
Clay
Izabella Smith
Photography
Izabella Smith
Photography